Dot fiftyone Gallery - Miami 2018
photography Zachary Balber
Dot Fiftyone Gallery is pleased to presentRoot/Route: A Personal Cartography, an exhibition of artist by Pepe López spanning the artist’s recent practice will be on view from December 1, 2018 to February 10, 2019.
Pepe López (b. 1966, Caracas) is a Venezuelan artist who lives and works in Paris. López works in a variety of mediums, including painting, sculpture, tapestry, collage, photography, video and performance. He has worked on major multidisciplinary projects at institutions such as the Puffin Foundation, New York City; Sala Mendoza, Caracas and Museo de Bellas Artes, Caracas. López’s practice is deeply rooted in the foundations of Latin American abstraction, whilst his process interrogates aspects of contemporary life such as violence, terrorism, consumerism and identity politics.
Root/Route showcases the most recent development in López’s oeuvre, alongside several pieces from earlier bodies of work that the artist has been engaged with for some years. They are a continuous exploration into his relationship, both physical and geographic with the idea of home in its broadest meaning. The search for this place, that is at once a place of origin, a place of birth, the root or foundation, a repository of memory and the imaginary, a fundamental marker of identity but also a physical space that can represent a country, a city, a house, a garden and so forth. It is a complex construct, that is both intangible and also physical, that depends on different notions of space and place, real and imagined.
A recurring material that Lópezhas been using in his practice is found plastic bags. In his own words:“Plastic bags reference my everyday life, they make me feel at home, they connect me to Caracas. When I lived there, we used to find them everywhere, in stores and on streets, they were at non cost, free. They used to come in strange and striking colors that have given me a new colorchart of reference to work with, that is unique to plastic.”
Encompassing a wide range of mediums, the exhibition will features works from a series (Color over Color series) made from found plastic bags that are attached to paper with scotch tape to reflect this often intangible yet permanent sensation of insecurity and anxiety. They present an interaction of colorthat are in a process of transformation, layers that are unstable and fragile, and suggest an intense sensation of vertigo, of down fall both in the choice of materials and the change of one state to another. Abstract on the surface, they communicate a deeply personal state of turmoil and anguish that references the impact on the artist, of the particular social drift extant in Venezuela.
López’s two single large works (Mapa Boom 06, 2004 -2018)and (Mapa Boom 07, 2005 -2018)are made out of the maps of a world atlas that belonged to his grandfather. This is a recurring theme for López, a merging of past and present, to appropriate an inherited and redefine it in his visual lexicon.
In the second room, the exhibition also presents a new onsite installation by the artist that expands on the notion of a personal cartography creating a large map related to his time in Miami.
Following Lopez’s practice of using coloured plastics, found and bought, this installation develops on previous experiments by the artist. Plastics are made of polyethylene, which is derived from petroleum, among other things. it is Venezuela’s key natural resource and the reason for so many of its troubles and a also the trigger for many of Lopez’s works. The symbolisms are many in this piece; it is a mobile foldable object suggesting an attempt on López’s part to narrate his place in the world against the fragility of his itinerant life, as well as a compulsive need to document current experiences in order to preserve memory that is also under fire. This new installation can be interpreted as a map, a plan, tent, home, a surface for protection. It is an outline that is both physical and narrative, of this perennial search for that root/route.
The Curator: Tamara Chalabi is a historian and curator who specialize in contemporary art and culture from the Global South. She is the author of several publications including Late for Tea at the Deer Palace (2010), which tells the story of modern Iraq through four generations of her family. A Harvard PhD, Chalabi is co-founder of the Ruya Foundation, an NGO that is the only Iraqi foundation focused on enriching contemporary culture both within the country and internationally. Chalabi steers the Foundation’s main program since 2013 and in 2017 she co-curated the Iraq Pavilion at the 57th Venice Biennale. In 2018 Chalabi founded Ruya Maps, a sister organization to the Ruya Foundation, that works with visual artists in areas of social or political instability globally